Photography is considered a medium that reflects reality according to the point of view of the shooter, and constructs it through representation. Shooters of photograph attempt to follow rules that make a good picture. However, this paper claims that use of camera phone has led to the rise of new mode of picturing; principally digital non-photography. The paper proposes that digital non-photographs, which are posted on a Facebook account, are paradigmatic reflections of street practices, and imitations of what any spectator would see in the streets of Egypt everyday. Paradoxically, although non-photographs of streets in Egypt are accidental, and echo discursive and fragment visual replications of rituals and practices, they reflect aesthetic values, and unwittingly signify an aesthetic of chance
Abdelrahim, Yasser Abu Elmakarem Abdelaziz. (2017). Digital Non-photograph and Street Practices in Egypt: The Aesthetic of Chance. المجلة المصرية لبحوث الأعلام, 2017(59), 1-36. doi: 10.21608/ejsc.2017.88565
MLA
Yasser Abu Elmakarem Abdelaziz Abdelrahim. "Digital Non-photograph and Street Practices in Egypt: The Aesthetic of Chance", المجلة المصرية لبحوث الأعلام, 2017, 59, 2017, 1-36. doi: 10.21608/ejsc.2017.88565
HARVARD
Abdelrahim, Yasser Abu Elmakarem Abdelaziz. (2017). 'Digital Non-photograph and Street Practices in Egypt: The Aesthetic of Chance', المجلة المصرية لبحوث الأعلام, 2017(59), pp. 1-36. doi: 10.21608/ejsc.2017.88565
VANCOUVER
Abdelrahim, Yasser Abu Elmakarem Abdelaziz. Digital Non-photograph and Street Practices in Egypt: The Aesthetic of Chance. المجلة المصرية لبحوث الأعلام, 2017; 2017(59): 1-36. doi: 10.21608/ejsc.2017.88565